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Poster: The Chase (1946)
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1940sfilm noirClassic film noir

The Chase

1946 · United States · 86 min

Director
Arthur Ripley
Screenplay
Philip Yordan
Producer
Seymour Nebenzal
Music
Michel Michelet
Cinematography
Franz Planer

Cast

What it is about

Chuck Scott, a World War II veteran, drifts through Miami as a penniless man tormented by strange dreams. After returning a lost wallet to Eddie Roman, a violent gangster, he is hired as his chauffeur. He soon finds himself caught up in a scheme to help Roman's wife, Lorna, escape her cruel husband and flee to Havana.

How it was made

Producer Seymour Nebenzal bought the rights to Cornell Woolrich's 1944 novel and hired Philip Yordan to write the screenplay. To satisfy the Production Code, much of the action was framed as a dream, and the Cuban scenes were adjusted so as not to upset the Cuban government. A contract dispute delayed shooting by a month and led to Joan Leslie being replaced by Michèle Morgan. Arthur Ripley directed, with cinematography by Franz Planer.

Reception and legacy

The film was entered in the 1947 Cannes Film Festival and drew divided reactions: some critics praised its suspense, while others faulted its reliance on a dream ending. It was not a financial success, but it became a cult favorite, and some writers regard it as the closest screen equivalent to Woolrich's dark fiction. Eddie Muller compared its dreamlike quality to the cinema of David Lynch.

Stills

The Chase, stills 1The Chase, stills 2The Chase, stills 3

Trivia

A recast lead

Joan Leslie was borrowed from Warner Bros. for the role, but a contract dispute with the studio led Seymour Nebenzal to cast Michèle Morgan instead.

A changed ending

Scotty was originally going to re-enlist in the army at the end, but veterans objected, so Roman's death was moved earlier to let Lorna end up with Scotty.

More films by Arthur Ripley

Original Cinematopedia text based on Wikipedia (en) and Wikidata.